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World Turned Upside Down

by Trojan Horse

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  • Compact Disc (CD) + Digital Album

    CD in ten-panel 'Maltese Cross' Digipak with full-colour artwork.

    Includes unlimited streaming of World Turned Upside Down via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    Purchasable with gift card

      £5 GBP or more 

     

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      £2 GBP  or more

     

1.
2.
Sesame 06:55
3.
Interlude 00:42
4.
Scuttle 08:06
5.
6.
Centrelude 00:36
7.
8.
9.
10.
Behemoth 04:09
11.
Paper Bells 05:39
12.
Outerlude 01:24
13.
Fire! Fire! 01:43

about

This artefact was devised, written and recorded over a period of approximately three years between late 2010 and very early 2014. It was conceived on a nourishing diet of Robert Wyatt ‘Rock Bottom’, Soft Machine ‘Volume 2’, a new found appreciation of dub reggae, the BBC Radiophonic Workshop, Elliott Smith, Earth Wind & Fire ‘I Am’, Parenthood, Tears For Fears ‘Songs From The Big Chair’, Cardiacs, and social injustice. It was finally ‘finessed’ with a sprinkling of XTC’s ‘Black Sea’, sporadic touring with exceptional friends, enlivened by the seminal wood carving image for the cover of the 1646 revolutionary pamphlet ‘World Turned Upside Down’ by T.J., and lives lived under the foul austerity policies of an unwanted government.

credits

released October 13, 2014

Nicholas Joel Duke - Vocals/Guitars/Hammond/Keyboards/Percussion
Lawrence Salvador Duke - Vocals/Bass/Guitars/Percussion
Eden Ellis Duke - Vocals/Keys/Synths/Bass
Richard Guy Crawford - Drums/Guitars/Vocals
Danny The Red – Drums/Synths/Guitar/Vocals/Percussion

All songs written, arranged, and recorded by Trojan Horse & Danny the Red

Engineered, produced, mixed and mastered by Danny The Red at Red Eccles Studio, Salford.

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about

Trojan Horse Salford, UK

Trojan Horse. We listened to a load of King Crimson, Jethro Tull and Yes LPs, and dragged the 70s kicking and screaming through the subsequent decades, whilst cutting away all the 20 minute keyboard solos and ditching the capes. Rolling that ball of musical joy, further forward in time to create a genre snowball effect. Until we landed, ready to sculpt the mass of noise into beautiful shapes. ... more

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